The Revenger's Tragedy Workshop - Blog - Tonya Cornelisse
- Lazarus

- Jan 9
- 2 min read
I was assigned the Mother / Gratiana to look at and dig into. I was very
pleased with this. Jacobean Tragedy is theatre at it’s most indulgent best.
Before excepting the workshop, they warned of a sexual and violent nature. I
got more excited.
I first came across LAZARUS and it’s company by attending there run of The
Changeling, and knew I must stalk Ricky Dukes out. So I did. I am from NYC
and have a vast theactrical background from quite young age, So when I
moved to London I knew I wanted, to find or create a company that is
visceral, fearless and imaginative and driven by the classics - LAZARUS
appeared before me. The work they do and there mission is psychologically
complex and dives deep into the text and the language, but whatsmore than
that is the physical and raw approach to getting inside of the beating heart of
a story and it’s characters. After doing a few of their Shakespeare Gyms my
heart grew fonder, so when I was ask to dive in with Ricky & Gavin through
this workshop - I lept.
The workshop did not disappoint. The lengthy warm up on the days was
much more than a “warm-up” it was a way in to one another. A bonding and
building of trust with the ensemble they had plucked out. By doing so, when
we began to get into the work of the text and explore it…it was seamless, as
if a company was already created even though we (most of us) had all just
meant as an ensemble a mere couple hours ago. That for me was the most
crucial part of the workshop. Ricky’s passionate leadership along with Gavin
as his grand right hand foster a creative environment where one is aloud and
encouraged to fly, that along with Thomas Middleton’s debauchery
layered text and cast of characters led up to a grand and bloody butcher’s
chef’s table of a workshop




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